![]() ![]() ![]() He examines twilight at length in essays like “The Caribbean: Culture or Mimicry?,”, “What the Twilight Says,” and “The Muse of History,” as well as poems such as “A Far Cry From Africa,” “The Arkansas Testament,” and “The Schooner Flight.” Another distinctive tension Walcott employs is the “O,” most notable in his epic poem Omeros. For instance, he frequently utilizes the twilight as a flexible metaphor that demonstrates the movement and multivalent nature of human experience in the Caribbean. Consisting of both creative potential to develop his work and aesthetic actuality that might impact human existence outside of his writings, Walcott believes these tensions hold the power to cultivate Caribbean culture, offering healing and recovery of identity to both individual and community through his art. In his poetry and prose, he considers recurrently discussed postcolonial tensions like hybridity and mimicry, though he also develops alternative yet corresponding generative tensions that are more peculiar to his work. Lucian author Derek Walcott conceives of imaginative landscapes filled with tensions, seeking to examine the dialectic between an accurate understanding of the world around him and the possibilities within that world. Keywords: O, circles, tension, Derek Walcott, image, sound, wound, belonging DOI: Lucia’s identity, or when it is fractured, how it indicates a lack of development. Walcott realizes this recovery through his frequent use of the “O” in Omeros,which serves as a circular image that demonstrates both Walcott’s and St. Lucian identity personally, culturally, and geographically. Out of this tension, Walcott therefore pursues a knowledge of woundedness, healing, and cultural understanding, engaging in transnational and transatlantic maneuvers that recover and evolve the St. The “O” moreover functions as both sound and signifier in the poem, giving voice to colonial and postcolonial injustices, and providing the creative labor to develop a culture and sense of belonging from these circumstances. Yet he also identifies alternative sites of tension in his work, particularly through his use of “O” in his epic poem Omeros, an image that depicts personal, cultural, and geographical wounds, while ultimately seeking a sense of healing and belonging. Walcott demonstrates this formation of culture in generative tensions like hybridity and mimicry, both of which are well known within postcolonial scholarship. “Circle Yourself and Your Island”: The “O” as a Generative Tension in Derek Walcott’s Omeros Articles “Circle Yourself and Your Island”: The “O” as a Generative Tension in Derek Walcott’s Omeros Authors: Abstractĭerek Walcott’s work often operates within a dynamic tension that simultaneously seeks to bear witness to the trauma the Caribbean world has experienced, pursuing an affirmative way forward that resists further displacement, while seeking to develop Caribbean culture.
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